by Randy Schiff, The Buffalo News 3-1/2 Stars (out of 4) “… With excellent directing and a well-edited script that remains true to Shakespeare while keeping the action flowing briskly, Kate LoConti Alcocer offers an outstanding ‘Hamlet..’ A great strength of this production is the depth and talent of its cast. Chris Kelly is consistently… Read more »
FREE AND OPEN TO THE PUBLIC! SATURDAY, MAY 18, 2PM … Renowned Shakespearean scholar, Dr. Barbara Bono, will present a Talk entitled: “Hamlets and Your Hamlet: A Conversation about Famous Hamlets, the ICTC Hamlet, and Your Hamlet” at the Irish Classical Theatre Company in collaboration with its production of “Hamlet.” The Talks will be held… Read more »
By Ann Marie Cusella, buffalovibe.com, posted January 27, 2019 Sense & Sensibility at Irish Classical Theatre is still very much a Jane Austen experience, but it seems as though that lady might have ingested a steroid with her tea, or perhaps even a psychedelic or two. Playright Kate Hamill has blown it up into a… Read more »
By Cherie Messore, buffalotheatreguide.com on January 21, 2019 Gossipy, back-biting, smugly superior…yup, sounds like life in the British countryside, late 18th century style. This was the proverbial fodder for Jane Austen’s mill. Kind hearted sisters stripped of their place in society, weak-willed men who don’t deserve them, and lots of smart, witty repartee make Austen’s… Read more »
By Anthony Chase, Published January 19, 2019, Updated January 19, 2019 Jane Austen’s 1811 novel, “Sense and Sensibility,” spins across the stage with playful effervescence in Kate Hamill’s adaptation, now being performed at the Irish Classical Theatre Company … a whirlwind of contemporary theatricality … this may be Jane Austen, but you are free to… Read more »
By: Ann Marie Cusella, buffalovibe.com | Posted September 15th, 2018 “For what shall it profit a man if he shall gain the whole world yet suffer the loss of his soul?” These biblical words from Mark 8:36, while not spoken in the play, are at the heart of Clifford Odets’ 1937 classic, Golden Boy, a tragic… Read more »
There is a golden girl at the heart of the Irish Classical Theatre production of Clifford Odets 1937 classic, “Golden Boy,” and her name is Cassie Cameron. Cameron gives a five-star performance in this four-star production. It was inevitable that Irish Classical Theatre eventually arrive at the work of Odets. The playwright modeled his plays… Read more »
In 1985, two Dublin-born brothers, Vincent and Chris O’Neill, internationally acclaimed actors and former members of Ireland’s celebrated Abbey Theatre, found themselves in Buffalo, New York performing Samuel Beckett’s Waiting for Godot in the dining room of a local hotel. They were enthusiastically embraced by Western New York audiences and critics and, together with fellow Dubliners Josephine Hogan and the late Dr. James Warde, formed the Irish Classical Theatre Company. Performing on various rented stages until a permanent home was established at the Calumet Arts Café, ICTC became the fastest growing theatre in the region and led to the building of its new home, The Andrews Theatre, which opened its doors in January of 1999 in Buffalo’s Theatre District.
